Hi! Bonjour! Привет!

I'm Aisling (pronounced Ash-ling). My pronouns are she/her.

I'm currently based in Toronto, ON.

Thanks for visiting my website!

Feel free to contact me for:

• Freelance dramaturgy, translation (French-English), transcription, copyediting, or document design. If it involves words, I can do it.
• Existential chats on the nature of Canadian theatre criticism and Taylor Swift.
• Resources pertaining to Sarah Kane, Canadian theatre criticism, and/or verbatim theatre.
• Photos of my cat, Fig.

Bio

Originally from Baltimore, Maryland, Aisling is a playwright, critic, dramaturge, and academic.

Aisling is the Senior Editor at Intermission Magazine and the 2021-2022 Managing Editor at The Fulcrum.

In 2020, Aisling's first play, Feast, was developed with the Tarragon Theatre Young Playwrights Unit in Toronto; following the closures spurred by COVID-19, Feast was granted an #ArtApart grant by the National Theatre School of Canada.

Feast is featured as a short case study in the Routledge anthology, Undergraduate Research in Theatre.

Aisling graduated Magna Cum Laude with her Honours BA in Theatre from the University of Ottawa in June 2021, and is currently pursuing her MA in Theatre, Drama, and Performance Studies at the University of Toronto.

She's also a Taurus (if that wasn't abundantly clear), and has a cat named Fig.

Translation: La Nouvelle Scène website copy (English)
Fall 2021

Introduction: tick, tick...BOOM! (Canadian digital premiere)

November 2021 - Netflix

Microdosing Normalcy: The Bittersweet Return Home to Hadestown on Broadway
November 2021 - Intermission Magazine

How to Return Home: Dear Evan Hansen at TIFF
September 2021 - Intermission Magazine

"Last in a Long Line of Literary Kleptomaniacs": On Feast
July 2021 - Undergraduate Research in Theatre: A Guide for Students (Routledge, ed. Michelle Hayford)

Interview: Arts Journalism as Cultural Memory

June 2021 - "Black Deer in Blizzard" Community Conversations

Maclean's University Guide: University of Ottawa

April 2021 - Maclean's

'This is what we needed': 13 U of O Swifties reflect on a difficult year

April 2021 - The Fulcrum

Two letters to Sarah Kane on the anniversary of her death
February 2021 - Intermission Magazine

Grand Acts of (Digital) Theatre: A conversation with Jillian Keiley on reviving Canadian performance
January 2021 - The Fulcrum

The unexpected role an Ottawa call centre played in the 2016 US election
October 2020 - The Fulcrum

Post-COVID Theatre as Imagined by an Emerging North American Dramaturg in April 2020

June 2020 - Literary Managers and Dramaturgs of the Americas

Feast - #ArtApart Reading 

May 3, 2020 - Ottawa, ON

Featuring Megan Carty and Norah Paton, in collaboration with Paul Griffin

A Mid-Pandemic Letter to the City of Ottawa from a Young Theatre Critic (cc: GCTC's Daisy)

March 28, 2020 - Capital Critics Circle

The Assembly - NAC: In Search of a Middle Ground

March 2, 2020 - Capital Critics Circle

The Case for Hadestown

January 27, 2020 - The Theatre Times