Hi! Bonjour! Привет!
I'm Aisling (pronounced Ash-ling). My pronouns are she/her.
I'm currently based in Toronto, ON.
Thanks for visiting my website!
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Originally from Baltimore, Maryland, Aisling is a playwright, critic, dramaturge, and academic.
In 2020, Aisling's first play, Feast, was developed with the Tarragon Theatre Young Playwrights Unit in Toronto; following the closures spurred by COVID-19, Feast was granted an #ArtApart grant by the National Theatre School of Canada.
Feast is featured as a short case study in the Routledge anthology, Undergraduate Research in Theatre.
Aisling graduated Magna Cum Laude with her Honours BA in Theatre from the University of Ottawa in June 2021, and is currently pursuing her MA in Theatre, Drama, and Performance Studies at the University of Toronto.
She's also a Taurus (if that wasn't abundantly clear), and has a cat named Fig.
Introduction: tick, tick...BOOM! (Canadian digital premiere)
November 2021 - Netflix
Microdosing Normalcy: The Bittersweet Return Home to Hadestown on Broadway
November 2021 - Intermission Magazine
How to Return Home: Dear Evan Hansen at TIFF
September 2021 - Intermission Magazine
"Last in a Long Line of Literary Kleptomaniacs": On Feast
July 2021 - Undergraduate Research in Theatre: A Guide for Students (Routledge, ed. Michelle Hayford)
June 2021 - "Black Deer in Blizzard" Community Conversations
Maclean's University Guide: University of Ottawa
April 2021 - Maclean's
April 2021 - The Fulcrum
Two letters to Sarah Kane on the anniversary of her death
February 2021 - Intermission Magazine
Grand Acts of (Digital) Theatre: A conversation with Jillian Keiley on reviving Canadian performance
January 2021 - The Fulcrum
The unexpected role an Ottawa call centre played in the 2016 US election
October 2020 - The Fulcrum
June 2020 - Literary Managers and Dramaturgs of the Americas
May 3, 2020 - Ottawa, ON
Featuring Megan Carty and Norah Paton, in collaboration with Paul Griffin
March 28, 2020 - Capital Critics Circle
March 2, 2020 - Capital Critics Circle
January 27, 2020 - The Theatre Times
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